Safari Moon

In occasion of Fuorisalone 2024 the designers Draga & Aurel enter Visionnaire’s Wunderkammer with an intertwined narrative: a game of role exchanges between art and design, where the power of colors and painterly gestures illuminates the walls guiding the immersive journey among collectible design objects. 

A synesthetic narrative, based on a vision of Studiopepe - Arianna Lelli Mami and Chiara Di Pinto - to describe a capsule collection of three pieces designed for Visionnaire: the Shibari chair, the Parade lighting system and the Blanche set of two mirrors.

On the occasion of the 60th Edition of Salone del Mobile in Milano, Visionnaire presented “Apollo Belvedere” in the Wunderkammer Gallery, its first NFT project.

The dialogue between Visionnaire and bottega d’arte Ceramica Gatti 1928, has led to “Sedimento”, paying homage to the extraordinary legacy of craftsmanship found in the Italian territory, combined with creativity and reflection with a contemporary viewpoint

After the Argenti (silver) series, the magic of images continues with the Ori (gold) works in the present show, where erotic photographs from the late 1800s dissolve and rematerialize with gold enamel that conveys imagery made of flesh and dreams.

A journey through the lens of photographer Daniele Lorrai, featuring a selection of images captured in the heart of Sardinia at its most wild and unknown, far from the world-famous tourist resorts. 

Culture, Nature, Design, Object, Experience, Contamination, Uniqueness, Ingenuity, Luxury, Vision: the ten foundation values of Visionnaire, interpreted by the photographer Delfino Sisto Legnani. 

The victory of good over evil, the inner light that protects us from spiritual darkness: that's the traditional autumnal Indian holiday, Diwali.

Enrico Versari pieces are profound ascetic meditations, performed between the rising and waning of the sun, in an atemporal dimension of darkness and light.

Opera, a solo show of the American photographer David Leventi. Ten large-format photographs depicting nine famous opera houses are on display.

Abstraction is never far away in Godly’s paintings. On the contrary, the artist’s relentless efforts to capture the essence of what a landscape is or can be on canvas inevitably prompt him to resort to what is basically an abstract style of painting. 

Chroma is a reflection on colour. A colour lives and is exalted by means of “Cattedrale”, a glass used for the realization of artistic windows, in particular by the ecclesiastic medieval architecture.

Exploring the field of interaction between Art, Science and Nature, Alessandro Brighetti investigates the evolution of self-sufficient energy comparing Sculpture/Machine. In the new series, the power required for movement is produced and distributed by the same sculpture, transforming the work into an inorganic organism that lives by itself.

For as long as humans have been on this planet, we have had a remarkably complex and constantly changing relationship with the wildlife around us. At times, animals have been our allies, our enemies, our gods and our food. Often these roles have existed simultaneously across many different cultures and continents.

Combining both historical and contemporary references, Esedre reflects the artist’s ongoing exploration of identity and, specifically, the complex female universe in light of classical mythology, an area intimately linked to her homeland of Calabria.

Sumptuous effigies of ancient sculptures preserved in the most prestigious museums in the world, emperors and female divinities represented with the luminous technique of the artist, a fascinating dialogue between contemporary photography and ancient art.

"I can’t bear to see the skyline of my hometown invaded by advertising images, by those faces and bodies that represent women, but at the same time dumb them down, stereotyping them and reducing them to commodities."

Art in all its forms and expressions has always been a source of inspiration for Visionnaire. The dialogue in unison between art and design has become an intrinsic part of the brand’s DNA, and LOST BEAUTY typifies the eclectic, passionate approach combined with an aptitude for experimentation and the fusion of languages that are the hallmarks of its philosophy and savoir faire.

A homage to female beauty.

Visionnaire presents Collection Privée a selection of works from gallery owner Claudio Poleschi’s private collection, the first of a series of appointments devoted to collectors and collecting.

The garden as a sacred place where the vegetal harmonies remind the universe ones, where a complex symbolism associates essences or compositions to events and figures belonging to mythology and religion.

Visionnaire masterly conducts the combination of languages in favour of an aesthetics of hybridization, interpreted as curiosity and impulse towards the infinite potentials of artistic expression, sharing its artisan vocation of a “savoir faire” which is manual skill and conceptual inspiration at the same time.

A series of 20 hyper-realistic oil paintings inspired to friend and muse Lizzie Jagger by the Israeli artist Yigal Ozery

"Placed within spaces which I must say are surprising, not only because architecture comes from the sacred, in an antique church, but because the furniture created by Visionnaire contained within, which is I must say is almost to the limit of sculpture."

A selection of paintings that recall important elements of the portrait tradition and the representation of reality.

During the Renaissance and Baroque periods, princes, rulers, and scholars set up their “Kunst and Wunderkammer”: collectors rooms in which precious artworks (artificialia), rare phenomena of nature (naturalia), scientific instruments (scientifica), objects from strange worlds (exotica) and inexplicable items (mirabilia) were preserved.

Magic, mystery but mainly theatricalism: this is the Wunderkammer 2.0 by Visionnaire which presents a new selection of art pieces, representative of the own home philosophy, for the second year on the occasion of the design week in Milan.